Philip Pocock

1954, Ottawa, Kanada Jelenleg Berlinben él és dolgozik. www.philippocock.net
Szakmai Életrajz
1979
BFA, New York University Film School
Csoportos Kiállítások
2017
Útfélen, Inda Galéria, Budapest
2012
Photography and Ruin, New York Public Library, New York, US
2011
Artist in Residence», Plug In Institute of Contemporary Art, Winnipeg, Manitoba, Canada
2010
Look Up!, Upgrade Berlin Summer Exiles bbq, Sculpture Park, Berlin, organized by Transmediale Berlin
2009
alan∂», Nam June Paik Art Center, Seoul, South Korea arctic circle, Histoires à l'ère numérique, L'Éspace Multimédia Gantner, Belfort, CH & plug.in Basel, CH
2008
«alan∂::scopic regimes of uncertainty», BIACS3 Seville Biannual, ES. «SpacePlace::art in the age of orbitization» locative virtual curating, Imagining Outer Space, Center for Interdisciplinary Research, Bielefeld, DE.
2007
«ZKM YOUniverse in Second Life, and Mobile Mashup Movie Matrix» media sculpture; «SpacePlace::art in the age of orbitization, and Space Bike» virtual curatorial installation, YOU_ser: The Century of the Consumer, ZKM Karlsruhe, DE.
2006
«If I Can Dream» paintings and photographs w. Walter Dahn, Galerie Yvon Lambert, Paris, FR. «everyone, a satellite¿» presentation, The Information Revolution: between everyday and future, Informatics Year symposium, Faculty of Computer Science, University of Karlsruhe, DE. «SpacePlace :: art in the age of arbitization» locative virtual curating, ZKMax locative media space, Munich, DE.
2005
«Unmovie::how to make your corner mandala» w. G.Stehle, A.Heide, FS.Huber, F.Wuest, Resites, Galerie OBORO, Montreal, CA. «Unmovie.net», 'Database Imaginary' w. A.Heide, G.Stehle, Dunlop Art Gallery, Regina, and Blackwood Gallery, University of Toronto, CA.
2004
«Unmovie::the mind cannot rest on anything», 'Database Imaginary' w. A.Heide, G Stehle, Walter Phillips Gallery, Banff, CA. «Unmovie::open teahouse» w. G Stehle, Feelings Are Always Local - DEAF04 Dutch Electronic Art Festival, Rotterdam, NL. International Festival of Media Art Dresden, Festspielhaus Hellerau, DE. «Unplugged» w. G Stehle, Galerie Kohinoor, Karlsruhe, DE. «Landscape Memories», Faculty of Fine Art, University of Kabul, AF.
2003
«Unmovie::two tourists» w. G Stehle, 'Future Cinema: the cinematic imaginary after film', Intercommunication Center ICC, Tokyo, JP. «Unmovie.net», Honorable mention Net Excellence, Ars Electronica, Linz, AT. «Unmovie::a long curtain for a short festival» w. A.Heide, G Stehle, International Short Film Festival, Hull, UK. «Unmovie::kiasma extension proposal» w. A.Heide, G Stehle, 'Future Cinema_ the cinematic imaginary after film', Kiasma Museum of Contemporary Art, Helsinki, FI. «Unmovie::stand-in & tincam» w. G Stehle, ‘Critical Conditions: information atmospheres and event scenes’, Wood Street Galleries, Pittsburgh, US. «Unmovie::fountain-image» w. G Stehle, ‘Chronofiles: from time-based art to database’, Lotringer13, Munich, DE. «Code is the Current Language of Culture», FILE International Festival of Electronic Language, São Paolo, BR. «Unmovieopolis» w. G Stehle, Media Museum ZKM Karlsruhe, DE. «Unmovie.net», Runme 2.3 Festival of Software Art, Helsinki/Moscow, FI/RU. 'The Conquest of Ubiquity', XTRA space CajaMurcia Foundation, Murcia, ES.
2002
«Unmovie::wall-image & bubblecam» w. G Stehle, ‘Future Cinema: The Cinematic Imaginary after Film’ ZKM Karlsruhe. «Space Some Space» w. G Stehle, ‘cntl_space’ blank wall webcam, ZKM / laptop screen wall, Academy of Fine Arts, Karlsruhe, DE. ‘1st Online Open Exhibition’, Irish Museum of Modern Art, Dublin, IE.
2001
'Space Between’, Kunst des Ausstellens / The Art of Exhibiting conference, Fine Art Academy, Stuttgart, DE. ‘Environmental [ƒ]actors: art, education, sudience’, Vom Tafelbild zum Globalen Datenraum symposium, ZKM, Karlsruhe, DE. ‘The Network is the Narrative’, net.congestion International Festival of Streaming Media, De Balie, Amsterdam, NL. «The Thing About Plastic» w. Gruppo A12, G Stehle, Solitude im museum, Staatsgalerie Stuttgart, DE. «A History of Grey & MamCam» w. G. Stehle, Solitude au musée, Musée d'art moderne St. Etienne, FR. ‘Links Prize’, V2 Rotterdam / Virose, Museum Serralves, Porto, PT.
2000
«h|u|m|b|o|t::firewall», ‘Voilà: Le monde dans la tête’ w. Gruppo A12, Musée d'art moderne de la Ville de Paris, FR. ‘Hypercinema Drifts - Docs Online’ International Documentary Film Festival, Amsterdam, NL. ‘ØtherLands’, Éspace Flon, Lausanne, CH. «h|u|m|b|o|t::CAD memories», Galerie K&S, Berlin, DE. «Humbot.org», Art Basel 31, Basel, CH. «Travel-as-art: a trilogy», cITy urbanism, honorable mention, International Media Art Awards, ZKM/SWR, KArlsruhe, DE. ‘Desert & Transit’, Museum of Fine Arts, Leipzig /Kunsthalle Kiel, DE.
1999
«h|u|m|b|o|t», ‘net_condition: art and global media’ w. A Dirosa, E Carmagnani, Gruppo A12, ZKM, Karlsruhe, DE. «Humbot.org», Steirischer Herbst, Graz, AT. ‘Art-Travel-Agency’, Shift e.v. Berlin, DE. «h|u|m|b|o|t::mail bot» w. R Cabot, National Gallery of Art / Kunsthalle der Bundesrepublik Deutschland, Bonn, DE. 'Rewind to the Future', Bonner Kunstverein / Neuer Berliner Kunstverein, DE. ‘Augenblick und Endlichkeit’, Museum Ludwig, Cologne. [catalogue] 'Traversing Territory, Portland Institute of Contemporary Art, Oregon, US. ‘Order/Disorder: Architectural Transitions’, New York Public Library, US.
1998
‘Kiosk II’ w. Gruppo A12, International Sculpture Invitational, Art Cologne, Cologne, DE. ‘ØtherLands’, 16th World Wide Video Festival, Stedelijk Museum, Amsterdam, NL. ‘Technoculture’, Fri-Art Center of Contemporary Art, Fribourg, CH. ‘La Conscienza Luccicante’, Palace of Expositions, Rome, IT. ‘ØtherLands’, Palais des Beaux-Arts, Brussels, BE.
1997
Philip Pocock, 100 Days-100 Guests program, documenta X, Kassel, DE. ‘A Description of the Equator and Some ØtherLands’ w. FS Huber, U Noll, F Wenz, documenta X, Kassel, DE. «ØtherLands» w. F Wenz, 1st International Performance Festival, Kunsthallen Brandts Klædefabrik, Odense, DK. ‘Kiosk I’ w. Gruppo A12, Galerie Brigitte Schenk, Cologne, DE. ‘ØtherLands’ w. FS Huber, F Wenz, 7th International Video Week, Biannual of the Moving Image, Saint Gervais Génève, CH. New Media Fellow, Academy Schloss Solitude, Stuttgart, DE. ‘Raum ohne Eigenschaften / Space without Qualities’ information and urbanism workshop, Stiftung Bauhaus, Dessau, DE. 'Double Aura: museums & networks', Das Museum als Medienmodell / The Museum as Media Model conference, Ulm Museum, Ulm, DE. ‘Another Time, Another Place’ W Dahn w. Philip Pocock, Stedelijk Museum, Amsterdam, NL. 'E-Quator', Salon Digital Soirée, ZKM Schaufenster am Marktplatz, Karlsruhe, DE.
1996
‘Tropic of Cancer’ w. FS Huber, C Keller, F Wüst, Haus der Kulturen der Welt, Berlin, DE. ‘Music Security Administration’ w. W Dahn, Galerie Monika Sprüth, Cologne, DE. ‘Bumper Value Jotter’ w. W Dahn, Städtische Sammlung, Augsburg, DE. ‘Homemade Ice Cream’ w. W Dahn, Leccese-Sprueth, Cologne, DE. ‘Growing Up and Coming Down’ w. W Dahn, Centro d’arte contemporanea, Bellinzona, CH. ‘Version 2.2’, Center for Contemporary Images, Geneva, CH. cd rom 'Simulation / Stimulation', Viper Festival for Film and New Media, Lucerne, CH. ‘Arctic Circle’ presentation, Combirama, Zurich, CH. ‘Ars Digitalis’ symposium, Fine Art Academy, Berlin, DE. ‘Follow the Yellow Brick Road...’, Kunsthalle New York, US. ‘Hello World’, Museum für Gestaltung, Zurich, CH. ‘Art on the Web’, Whitney Museum of American Art, New York, US.
1995
‘Photography after Photography: memory and representation in the digital age’, Finnish Museum of Photography, Helsinki, FI / Fotomuseum Winterthur, CH / Museet for Fotokunst, Odense, DK / Kunsthalle Krems, AT / Praterinsel Aktienforum, Munich, DE. ‘The Arctic and the Internet’, Siemens Medienlabor, lotringer13, Munich, DE. ‘Growing Up and Coming Down’ w. W Dahn, Jörn Bötnagel Projekte, Cologne, DE.
1994
‘Cibachrome Paintings’, Galerie Simon Dresdnère, Toronto, CA. ‘Recent Acquisition’, Museum of Fine Arts, Houston, Texas, US. ‘Visiting Artist’, Glassel School of Art, Houston, Texas, US. ‘Black Sea Diary::Time Lines, Tourist Bubbles, Transmission Errors’ w. FS Huber, STORM, Amsterdam, NL.
1993
‘Black Sea Diary’ w. FS Huber, Electronic Cafe, Venice Biannual, IT. ‘Von der klassischen zur experimentellen Fotographie’, America House, Cologne, DE. ‘Inbetween’, Turkish Pavillion, Venice Biannual, IT. ‘Excess in the Technomediacratic Society’, Galerie Krinzinger, Vienna, Shoshona Wayne Gallery, Los Angeles, US. ‘Grün beruhigt’, Galerie Löhrl, Mönchengladbach, DE. 'Cibachrome Painting,' Galerie Leyendecker, Teneriffa, Canary Islands, ES. ‘Experimental Vision: The Evolution of the Photogram Since 1919’, Denver Museum of Art, Colorado, US.
1992
‘Set’, Berland Hall Gallery, New York, US. ‘Excess in the Techno-Mediacatic Society’, Musée Sarret de Grozon d’Arbois, FR. ‘Adam, Andreas, Curtis, James, Peter and Philip’, Centro de Arte La Regenta, Las Palmos / .La Casa de Cultura, Tenerife, Canary Islands, ES.
1991
‘I [Ich]’, Gallery STORM, Amsterdam, NL.. ‘18x Kunst aus New York’, Galerie Löhrl, Mönchengladbach, Kunstraum Neuss. DE. ‘Bilderlust’, Museum Ludwig, Cologne, DE.
1990
Antibea Theater Festival, Cap d'Antibes, FR. ‘Cibachrome Paintings’, Julian Pretto Gallery, New York, US. ‘Cibachrome Paintings’, Berland Hall Gallery, New York, US. ‘PhotoModern’, Arts Festival of Atlanta, Georgia, US. ‘Total Metal’, Simon Watson Gallery, New York, US.
1989
‘Cibachrome Paintings’, Albany Museum of Art, Georgia, US.
1988
‘Photography on the Edge’, Haggerty Museum of Art, Milwaukee, US. ‘Recent Acquisition’, Everson Museum of Art, Syracuse, New York, US. '100 Years: A Tradition of Social and Political Art on the Lower East Side', PPOW Gallery, New York, US. ‘Real Inventions/Invented Functions’, Laurie Rubin Gallery, New York, US.
1987
Co-founder w. J Zinsser, ‘Journal of Contemporary Art’, New York, US. ‘Cibachrome Paintings’, Piezo Electric West, Los Angeles, US. 'New Trends in East Village Art', Mori Gallery, Sydney, AU. 'Focus: New York', Moosart Gallery, Miami, US.
1986
‘Cibachrome Paintings’, Piezo Electric Gallery, New York. ‘Out of the Clouds’, Edith Blum Art Institute, New York. 'Contemporary Issues III', Holman Hall Art Gallery, Trenton State College, New Jersey, US.
1985
‘Cibachrome Paintings’, Piezo Electric Gallery, New York, US. ‘The Art of Appropriation’, Alternative Museum, New York, US. 'Soon To Be a Major Motion Picture', Greathouse Gallery, New York, US. ‘East Village Art’, Saidye Bronfman Center, Montreal, CA.
1984
‘Berlin Stories’, Greathouse Gallery, New York. ‘Street Politics’, Real Art Ways, Hartford, Connecticut, US. ‘Obvious Illusion’, Sol Mednick Photography Gallery, Philadelphia College of Art, Penn., US.
1983
‘Cibachrome Paintings’, Piezo Electric Gallery, New York. ‘Painting and Sculpture Today’, Indianapolis Museum of Art, Indiana, US. ‘Allocations’, 49th Parallel Gallery of Canadian Art, New York, US.
1982
‘Limbo’, PS1 Institute for Art and Urban Resources, New York, US. ‘Cibachrome Paintings’, Piezo Electric Gallery, New York, US. ‘Berlin Stories’, London Regional Art Gallery, London, Ontario, CA. ‘The Terminal Show’, Brooklyn Army Terminal, New York, US. ‘First Six Photographers’, Oggi Domani Gallery, New York, US.
1981
Cibachrome Photography Instructor (until 1990), International Center of Photography, New York, US. ‘The Obvious Illusion: Murals from the Lower East Side’, The Cooper Union for the Advancement of Art and Science, New York, US. ‘Two Ends of a Spectrum’ w. Robert Bordeau, Art Gallery of Ontario, Toronto.